Swirled Series

This fall, as a creative outlet during a challenging teaching term (and as a distraction from the general mess of the world), I began posting weekly looping animations on Twitter, under the hashtag #swirlysquaresunday. The idea was to find creative expression under a tight set of aesthetic constraints: a looping animation of a black-and-white checkerboard. Of course, these tight constraints still permit a wide range of fun and captivating visual devices. Here’s one from a few weeks ago as an example.

Earlier today, Daniel Piker suggested that it would be fun for a group of people interested in these looping mathematical animations to collaborate. Each would contribute a short sequence that begins and ends with a checkerboard, and we’d glue them together into one longer animation. What a lovely idea! The most famous example of this variety of collaborative artwork is what the Surrealists called an Exquisite Corpse. Exquisite Corpse animations are popular too; I’ve long been a fan of The Zoomquilt, and I’ve seen it done as a group project in animation courses.

So, let’s create a Swirled Series!

If you’re reading this, you’re invited to submit a short animation loop. I’ll stitch them together into a final sequence. Let me lay down some rules in order to keep the process sane:

  • Use a resolution of 512×512.
  • No colour, but it’s OK to use grey levels beyond pure black and pure white.
  • Your segment should have at most 180 frames (I’ll aim to play back at 50 frames per second). It’s OK to have fewer frames.
  • Your segment should begin and end with the same frame: an 8×8 checkerboard (i.e., squares of dimension 64×64), with white in the lower-right corner.
  • You can do anything you want to get from a checkerboard back to a checkerboard, except sit still.
  • I strongly recommend that your loop have “zero derivative” at the first and last frames; that is, it should glide to a graceful stop, so that the transition to the next animation in the sequence isn’t jarring.
  • I would prefer to receive your submission in the form of a zip file containing a directory of PNG images named frame000.png, frame001.png, … frame179.png.
  • You grant me a non-exclusive, irrevocable license to use your images non-commercially, in animations, for education and research.  Conceivably, if the result is entertaining, I might submit it to, say, the Bridges Short Film festival. In all cases, contributors will receive appropriate credit.
  • The deadline is Friday, November 27th. I’ll aim to publish the result the following week.

To contribute, send your zipfile to me at swirledseries@gmail.com, or send me a link where I can download it.

In the unlikely event that this becomes popular, it’s possible I’ll receive more submissions than I know what to do with. In that case, please accept my apologies in advance as I work out some sort of compromise. I may have to choose who gets in by lottery or submission order, and impose a limit of one submission per person. Most likely, I’d simply keep doing this and roll extra submissions into future animations.

Thanks for playing with us!

Comments

One response to “Swirled Series”

  1. […] Early in November, Daniel Piker (aka @KangarooPhysics) suggested that a group of people could get together online, and each create a short segment of animation, arranged so that all the start and end frames are identical. We could then assemble all the segments into one long loop and enjoy each others’ work. The idea was based on loops that I had been posting on Twitter for fun, under the hashtag #swirlysquaresunday, and for that reason I called the group project Swirled Series. […]

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